Hopefully Not the Last from ‘Kiss

The Spin: Jadakiss – The Last Kiss
Released April 7, 2009
The Island Def Jam Music Group 2009
[rate 4]

If you’ve followed Jadakiss’ career at all, it’s easy to see that he’s consistently put out some of the most solid work in the genre since as far back as The Lox. Although every album has its fair share of what would be deemed commercial songs (and they’re just as good as anything else you would hear on the radio), he hasn’t managed to reach the type of mega-stardom as Lil Wayne or 50 Cent or even gained the type of mainstream notariety as someone like Mims or Chingy. I think plenty would argue that Jadakiss’ lyricism would have him fare well in a battle with any of these guys and the beats that pervade his albums are definitely good, if not equal to his rapping.

“The Last Kiss” finds itself again without a huge hit, but has managed to garner plenty of praise and respectable sales. But also like most of his albums, it’s sort of a mixed bag and lacks continuity. There are a couple of Neptunes beats that stick out, there are beats that sound just five minutes too dated, and then there are southern-style club bangers in the middle of it. Content-wise, Kiss is equally sporadic.

In “Who’s Real,” we hear Swizz Beats’ familiar voice and horn arrangements. For whatever reason, Swizz Beats has certainly mastered his particular brand of simple drum patterns and synth arrangements (which he’s claimed to accomplish in fifteen minutes or less), although he does add in samples, from time to time. His lyrics definitely have not received the same amount of attention for good reason. However, Swizz Beats, in collaboration with other artists, provides a recipe for very effective rap tunes. Thankfully, Jadakiss does a good job of complimenting the track. OJ Da Juiceman provides fairly weak guest lyrics.

Image courtesy of musicforecast.blogspot.com

Anyone who’s heard a Jadakiss album knows that he’s fairly obsessed with guns. “Smoking Gun” serves as a manifestation of that, but with a sort of twist. This song is a sort of Bonnie & Clyde tale, but more socially conscious and more vengeful. Yeah, actually, it’s more like one of those highly entertaining albeit cheesy revenge flicks from the seventies. At any rate, the content of the song is really interesting and the beat’s pretty nice. I don’t want to give away more than that because it’s such a cool song. Instead, I’d encourage anyone to check it out.

“Respect My Conglomerate” is a Busta Rhymes song that is included on the Itunes version of Kiss’ album. The female vocals sound like they’re sampled, but they’re not. The hook is really cool. The beat’s fairly poppy and simplistic, but effective. Busta Rhymes delivers as always and Jada doesn’t disappoint, either. “Grind Hard” and “Something Else” serve as Jadakiss’ attempt to get in good with the south, even including a verse from Young Jeezy on the latter. “Grind Hard” features a hook by Mary J. Blige and is appropriately catchy.

If I had to describe Jadakiss’ career to someone, I’d say something like, “Jadakiss is a five-star lyricist who consistently makes four-star albums.” It’s hard to not feel like if he just had an album with two or three really big hits that he could be on the same eschelon as someone like Jay-z or Nas.
I think it’s unfortunate that this isn’t the case, but I certainly keep hoping for it, and considering that he’s one of the only good hip-hop artists still doing big things in New York, his time may be yet to come. Predictably, I give this album four out of five stars.

Musical State of the Union

In giving my musical State of the Union address the headlines are endless but those of substance have grown legs. I mean that in the fact that these same headlines have become as much a part of our social cognizance as the continually changing Facebook terms of service.

It goes without further ado in presenting the most compelling and interesting story in recent weeks. I will leave all politically correct jargon aside in describing Chris Brown’s beating of singer and girlfriend Rihanna.

Photo provided via www.iamjammed.com

Infuriated, disgusted, challenged in my support of Chris Brown as an artist do not begin to detail to what lengths my disappointment extends as a result of his actions. I will leave the viewing of the beaten and battered face of Rihanna to you through your own search engine preference, but my thoughts were this after viewing the photo myself. I immediately lost all interest in hearing any spin on the subject released from Chris Brown himself, JIVE Records or Sony Music Group. In being one of the more if not the most commercialized musician in recent years. Chris Brown’s popularity without a doubt extended from the urban radios of the inner city to the stereos of suburban and master planned communities throughout the world. My opinion upon this subject is one of many that individuals will disagree with, but I believe no understanding along any lines will result from physical attacks, either alleged or documented. I guess my last sentence proves true that the before mentioned politically correct jargon could not be omitted.

Photo provided via www.hiphossip.com

With the much anticipated release date of Eminem’s new album titled Relapse there is a higher degree of interest in which 2009 album will carry the chart-topping single ‘Crack a Bottle’. In this I mean both 50 Cent along with Dr. Dre have scheduled 2009 releases of their albums as well. Dr. Dre demonstrates yet another hardcore flow reminiscent of those last displayed upon his 2001 album The Chronic. No official date has been set for his release appropriately titled Detox. 50 Cent with his expected first quarter release of Before I Self Destruct will serve as an early culmination for Universal Music Group. 2009 for UMG with the soon to be released U2 album No Line on the Horizon forecasts a calendar year the masses of the music industry only wish for.

In speaking to the fact of the ever present influence music has in our lives these contrasting stories demonstrate the consistent theme that continues to resurface. Families are touched through crime, death and various forms of legal engagement. Here it stands Universal Music Group on the eve of what could prove to become its most memorable year in recent years. The underlining story of the before mention UMG artists Eminem, Dr. Dre and 50 Cent or also referred to as the Aftermatch Trio is the fact they have all been at the center of controversy. I will leave you with this thought. To what lengths does poor decision making which may ultimately lead to jail come into our reasoning of acceptance for the actions of such artists?